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DTSTART;TZID=America/New_York:20250126T140000
DTEND;TZID=America/New_York:20250126T153000
DTSTAMP:20260624T024318
CREATED:20250107T161116Z
LAST-MODIFIED:20250124T182748Z
UID:10004017-1737900000-1737905400@events.ackland.org
SUMMARY:Artist Talk & Panel with Sherrill Roland
DESCRIPTION:This program is now FULL. To be added to our WAITLIST\, please email acklandRSVP@unc.edu. \n  \nUsing Sherrill Roland’s piece Processing Systems: Bonding as a jumping off point\, this artist talk and panel will explore artistic expression\, the American carceral system\, and the visualization of data. After a discussion of Roland’s monumental numerical portraits on view at the Ackland\, Roland will be joined by panelists Bharati Zvara\, Associate Professor in the Department of Maternal and Child Health (MCH) in the Gillings School of Global Public Health\, and Kylie Seltzer\, art historian and Carolina Public Humanities Zietlow Postdoctoral Fellow. The program will be moderated by Lauren Turner\, associate curator for contemporary art and special projects at the Ackland. \nPresented in partnership with Carolina Public Humanities.   \n— \nSherrill Roland’s interdisciplinary practice deals with concepts of innocence\, identity\, and community; reimagining their social and political implications in the context of the American criminal justice system. For more than three years\, Roland’s right to self-determination was lost to a wrongful incarceration. After spending ten months in prison for a crime he was later exonerated for\, he returned to his artistic practice\, which he now uses as a vehicle for self-reflection and an outlet for emotional release. Converting the haunting nuances of his experiences into drawings\, sculptures\, multimedia objects\, performances\, and participatory activities\, Roland shares his story and creates space for others to do the same\, illuminating the invisible costs\, damages\, and burdens of incarceration. Roland is an assistant professor of Studio Art in Sculpture at the University of North Carolina at Chapel Hill. https://www.sherrillroland.com/ \nKylie Seltzer is an architectural historian\, educator\, digital humanist\, and community builder whose work focuses on dismantling white supremacy and creating a more equitable world. An award winning scholar and teacher\, Kylie is committed to using her humanistic background and historical knowledge to solve today’s problems. Her doctoral research analyzed the ways that architecture and built forms were used to popularize race theory in the 19th century. This pseudoscience represents the foundation for white supremacist ideologies of the present day. Seltzer is currently the Zietlow Postdoctoral Fellow at Carolina Public Humanities. https://kylierjseltzer.com/ \nDr. Bharathi Zvara is an Associate Professor in the Department of Maternal and Child Health (MCH) in the Gillings School of Global Public Health. She is a developmental psychologist whose main research interest is in the emotional and behavioral development in young children. A central focus of her research is to characterize the effects of early-life adversity and trauma and identify the biological and behavioral mechanisms through which early childhood experiences impact growth and development. Her work documents the key role of the family system\, responsive caregiving practices\, and the broader environment in which children live and develop. Her goal is to produce translatable knowledge to inform policies and programs that ultimately improve the lives of children and families. https://sph.unc.edu/adv_profile/bharathi-j-zvara-phd/
URL:https://events.ackland.org/event/talk-panel-roland/
LOCATION:Ackland Art Museum\, 101 S. Columbia Street\, Chapel Hill\, NC\, 27514\, United States
CATEGORIES:Special Events,Special Programs,Talks
ATTACH;FMTTYPE=image/jpeg:https://events.ackland.org/wp-content/uploads/2025/01/SherrillRoland-7821-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250326T173000
DTEND;TZID=America/New_York:20250326T190000
DTSTAMP:20260624T024318
CREATED:20250227T153358Z
LAST-MODIFIED:20250227T153426Z
UID:10004067-1743010200-1743015600@events.ackland.org
SUMMARY:Bettie Allison Rand Lectures in Art History: Stephanie Porras\, Tulane University
DESCRIPTION:The Ackland is pleased to host the UNC Department of Art and Art History’s Bettie Allison Rand Lecture in Art History featuring guest speaker Stephanie Porras (Tulane University) on “Ivory across Empires.” \nThe talk is free and open to the public. Seating is first come\, first served. Read below for additional details about the talk and speaker. \nIvory across Empires\nConsidering a range of seventeenth-century ivory objects made in Manila\, Goa\, Ceylon and Mexico\, this talk proposes a different narrative about empire. While these ivory sculptures certainly testify to the widespread use of imported European models\, the range of ivory carvings done across Asia\, also are part of a broader history of the creative agency of Asian makers in responding to European tastes and to the expanding global market for their work\, via both the Manila galleon and circum-African sea trade. Foregrounding the material of ivory and its varied uses\, and seeing these objects in dialogue with one another\, also gestures towards an alternative history of Portuguese and Spanish imperial ambitions in Asia\, as well as the motivations of different Asian empires\, from the kingdom of Kotte in Sri Lanka to the Ming and later Qing dynasties in China. For ivory operated between and across empires\, and this talk examines the various trade routes\, as well as the mobility of materials\, models and artists who produced ivories for an emerging global art market. \nStephanie Porras is Professor of Art History and Chair of the Newcomb Art Department at Tulane University. Her research interests include the visual and material culture of Northern Europe\, the Spanish world\, and the Dutch Atlantic from the fifteenth to the seventeenth centuries. Her latest book\, The First Viral Images: Maerten de Vos\, Antwerp print and the early modern globe (PSU press\, 2023) traces the complex production and reception histories of an illustrated book\, a painting and an engraving\, all made in Antwerp in the late sixteenth century\, but copied by Venetian print publishers\, Spanish and Latin American painters\, Mughal miniaturists and by Filipino ivory carvers. Most recently\, she is also the co-editor\, along with Stephen Campbell\, The Routledge Companion to the Global Renaissance\, a volume of forty essays\, introducing objects made across the early modern world; appearing later this year is another co-edited volume\, The Dutch Americas: art histories of the Atlantic World\, with Aaron Hyman. \nThrough a generous gift to the UNC Arts and Sciences Foundation\, William G. Rand established this lecture series in memory of his late wife\, Bettie Allison Rand. This funding allows the Department of Art and Art History to bring one or more eminent art historians to UNC-CH every other year for residencies of various lengths. While they are in Chapel Hill\, these scholars present a series of lectures and interact with undergraduate and graduate art history and studio art students. Following the campus visit\, the scholars prepare a manuscript\, which is then published by the UNC Press as part of the Rand Series of art history publications.
URL:https://events.ackland.org/event/porras/
LOCATION:Ackland Art Museum\, 101 S. Columbia Street\, Chapel Hill\, NC\, 27514\, United States
CATEGORIES:Special Programs,Talks
ATTACH;FMTTYPE=image/jpeg:https://events.ackland.org/wp-content/uploads/2025/02/Porras-Poster.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250327T173000
DTEND;TZID=America/New_York:20250327T193000
DTSTAMP:20260624T024318
CREATED:20250304T170327Z
LAST-MODIFIED:20250324T155443Z
UID:10004071-1743096600-1743103800@events.ackland.org
SUMMARY:Public Opening of "Phantom Limb: Selected Works by the MFA Class of 2025"
DESCRIPTION:Join the Ackland in celebrating the opening of Phantom Limb: Selected Works by the MFA Class of 2025! \nA phantom limb is the sensation of a part of one’s body still being present when it has been removed. In science and philosophy\, the phenomenon has been used to understand how we link the mind and body\, localize pain\, and exhibit the lasting effects of trauma. In this exhibition\, the artists of the graduating Master of Fine Arts in studio art class of 2025 examine the ways in which something can be missing\, through erasure\, force\, trickery\, chance\, or misfortune; nevertheless\, a legacy\, aura\, or presence can still be felt. Rebecca Pempek depicts fantastical images of the body in an effort to make sense of pain. John Felix Arnold reimagines landscapes of the American South to consider the ways they hold onto legacies of labor and violence. Dominique Muñoz’s installation uses personal family archives to simultaneously conjure and erase the presence of loved and lost ones. Carson Whitmore builds on utilitarian objects that are rendered useless\, lead to nowhere\, and are missing parts. Together\, all four artists address loss\, whether personal or environmental\, and how we cope with its lingering effects. \nWe will be celebrating the opening with light refreshments. Brief remarks will be made at 6:15 p.m. and the MFA students will be onsite to meet and greet throughout the course of the event. \nRSVP is required. Each person RSVPing may claim a drink ticket (non-alcoholic or alcoholic); ID will be checked at the bar. \nJoin us for a fun and vibrant evening honoring the MFA students’ work and welcoming the exhibition to our community. \n— \nPhantom Limb: Selected Works by the MFA Class of 2025 is curated by Julianne Miao\, curatorial associate at the Nasher Museum of Art at Duke University. \nThis exhibition is made possible by the generous support of Carol Cole Levin\, Vincent Joseph Kopp and Katherine Craft Kopp\, and Maryanna and Will Johnson.
URL:https://events.ackland.org/event/phantom-limb-opening/
LOCATION:Ackland Art Museum\, 101 S. Columbia Street\, Chapel Hill\, NC\, 27514\, United States
CATEGORIES:Special Events,Special Programs
ATTACH;FMTTYPE=image/jpeg:https://events.ackland.org/wp-content/uploads/2025/03/MFA.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250405T100000
DTEND;TZID=America/New_York:20250405T170000
DTSTAMP:20260624T024318
CREATED:20250402T163059Z
LAST-MODIFIED:20250402T163059Z
UID:10004083-1743847200-1743872400@events.ackland.org
SUMMARY:Ackland Art Museum at the UNC Science Expo
DESCRIPTION:Join the Ackland Art Museum at the UNC Science Expo\, hosted by the Morehead Planetarium and Science Center! \nFind us at our booth for hands-on art-making activities inspired by STEAM (Science\, Technology\, Engineering\, Art\, and Math) objectives. Explore the connections between creativity and science through interactive crafts! \nAfterward\, take a short walk over to the Ackland Art Museum to see how STEAM meets art in our galleries. In Ackland Upstairs\, visit the Synthetic Chemistry Lab’s art bay to learn how UNC Chapel Hill students collaborated with the Museum to uncover the science of blue pigments in artworks. Admission is always free\, and we are open Saturday 10 a.m. to 5 p.m. \nUNC Science Expo is part of the annual North Carolina Science Festival and is one of the biggest celebrations of science in the state! For more information\, visit Morehead Planetarium’s site https://moreheadplanetarium.org/program/expo/ \n  \nThis is a free public event\, no prior registration needed.
URL:https://events.ackland.org/event/ackland-art-museum-at-the-unc-science-expo/
LOCATION:Ackland Art Museum\, 101 S. Columbia Street\, Chapel Hill\, NC\, 27514\, United States
ATTACH;FMTTYPE=image/jpeg:https://events.ackland.org/wp-content/uploads/2022/06/GetImage4-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250411T170000
DTEND;TZID=America/New_York:20250411T210000
DTSTAMP:20260624T024318
CREATED:20250324T155109Z
LAST-MODIFIED:20250324T155109Z
UID:10004076-1744390800-1744405200@events.ackland.org
SUMMARY:2nd Friday ArtWalk: "Phantom Limb" Artist Workshops and Tours
DESCRIPTION:Join us for a special 2nd Friday ArtWalk focused on the newly-opened exhibition Phantom Limb: Selected Works by the MFA Class of 2025! Drop in throughout the night for hands-on workshops with two of the artists whose work is on view or hop on a mini tour of the exhibition by its curator. \nThe Museum is open until 9 p.m. tonight and\, as always\, offers free admission.  \n  \n— \n  \nAbout Phantom Limb: Selected Works by the MFA Class of 2025 \nA phantom limb is the sensation of a part of one’s body still being present when it has been removed. In science and philosophy\, the phenomenon has been used to understand how we link the mind and body\, localize pain\, and exhibit the lasting effects of trauma. In this exhibition\, the artists of the graduating Master of Fine Arts in studio art class of 2025 examine the ways in which something can be missing\, through erasure\, force\, trickery\, chance\, or misfortune; nevertheless\, a legacy\, aura\, or presence can still be felt. Rebecca Pempek depicts fantastical images of the body in an effort to make sense of pain. John Felix Arnold reimagines landscapes of the American South to consider the ways they hold onto legacies of labor and violence. Dominique Muñoz’s installation uses personal family archives to simultaneously conjure and erase the presence of loved and lost ones. Carson Whitmore builds on utilitarian objects that are rendered useless\, lead to nowhere\, and are missing parts. Together\, all four artists address loss\, whether personal or environmental\, and how we cope with its lingering effects. \n  \nPhantom Limb: Selected Works by the MFA Class of 2025 is curated by Julianne Miao\, curatorial associate at the Nasher Museum of Art at Duke University. \n  \nThis exhibition is made possible by the generous support of Carol Cole Levin\, Vincent Joseph Kopp and Katherine Craft Kopp\, and Maryanna and Will Johnson. \n  \nhttps://ackland.org/exhibition/phantom-limb-selected-works-by-the-mfa-class-of-2025/ 
URL:https://events.ackland.org/event/2nd-friday-artwalk-phantom-limb-artist-workshops-and-tours/
LOCATION:Ackland Art Museum\, 101 S. Columbia Street\, Chapel Hill\, NC\, 27514\, United States
CATEGORIES:2nd Friday ArtWalk,Special Programs
ATTACH;FMTTYPE=image/jpeg:https://events.ackland.org/wp-content/uploads/2025/03/MFA-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260228T090000
DTEND;TZID=America/New_York:20260228T143000
DTSTAMP:20260624T024319
CREATED:20260210T152555Z
LAST-MODIFIED:20260210T152555Z
UID:10004316-1772269200-1772289000@events.ackland.org
SUMMARY:The 11th Annual Symposium of the Art Student Graduate Organization - “Anachronic Enchantment: Temporalities in Visual and Material Culture"
DESCRIPTION:The symposium will be held in-person at the University of North Carolina at Chapel Hill on Saturday\, February 28 from 9:00 AM- 2:30 PM. Presentations will be followed by a Q&A session and are open to a general audience. \nWhen something is described as anachronistic\, it is often to say that it is contradictory\, inconsistent\, illogical\, or misplaced. Essentially\, to be anachronistic is to exist outside of historical time. However\, has science not demonstrated that time is relative? Is temporality\, meaning our relationship with time\, not subject to change? Instead of anachronistic\, Alexander Nagel and Christopher Wood have coined the term anachronic to refer to art that has “witnessed time.” Art historian\, Keith Moxey\, adds that anachronicity is the ability of objects “to exceed the parameters of their chronological circumstances.” \nWith this in mind\, this symposium considers temporality as its central framework and invites interdisciplinary reflection on how time is constructed\, experienced\, and represented across humanistic study. By foregrounding temporal frameworks\, we seek to interrogate whose times are privileged\, silenced\, or contested\, and how alternative conceptions of time challenge dominant narratives. Central to this inquiry are questions that examine how artists have engaged with temporality to construct new and alternative histories; how meaning and interpretation inevitably shift across time\, requiring us to reconsider our own scholarly and curatorial practices; and how ephemeral forms of art disrupt and complicate traditional art historical methods.
URL:https://events.ackland.org/event/the-11th-annual-symposium-of-the-art-student-graduate-organization-anachronic-enchantment-temporalities-in-visual-and-material-culture-2/
LOCATION:Ackland Art Museum\, 101 S. Columbia Street\, Chapel Hill\, NC\, 27514\, United States
CATEGORIES:Special Events,Talks
ATTACH;FMTTYPE=image/jpeg:https://events.ackland.org/wp-content/uploads/2026/02/smaller-4.jpg
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