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SUMMARY:Artist Conversation: Radical Ceramicists in North Carolina
DESCRIPTION:This program is now FULL. To be added to our WAITLIST\, please email acklandRSVP@unc.edu. \n  \n  \nJoin us for a lively artist conversation exploring themes of experimentation\, materiality\, and process in the work of North Carolina-based ceramic artists Jessica Dupuis (UNC-Pembroke; MFA ’10)\, Hitomi Shibata (Studio Touya\, Seagrove\, NC)\, and Isys Hennigar (BFA ’17) in the context of the innovative works by contemporary Japanese women artists on view in Radical Clay. The conversation will be moderated by the Ackland’s Head of Interpretive Resources Lillian Rodriguez\, part of the Museum’s Education and Interpretation Team. \n  \nSpace is limited; please register for a free ticket below! \n  \n— \n  \nAbout Radical Clay: Contemporary Women Artists from Japan \n  \nRadical Clay celebrates thirty-six contemporary ceramic artists — all women — represented by works selected from the private collection of Carol and Jeffrey Horvitz. All have explored the technical and conceptual possibilities of clay. The works in this exhibition are inventive and expressive\, at times mysterious or even shocking. The artists who created them are among the most technically accomplished contemporary ceramists. Some began their careers several decades ago while others started more recently — and over the past fifty years they have\, each in her distinctive way\, produced sculpture that pushes the physical limits of the medium. More about Radical Clay: https://ackland.org/exhibition/radical-clay-contemporary-women-artists-from-japan/.  \n  \nAbout the Artists \n  \nJessica Dupuis received her MFA from the University of North Carolina at Chapel Hill and her BFA with a concentration in ceramics and print media from Alfred University. Dupuis exhibits her work regionally and nationally. She has been a resident artist at the Houston Center for Contemporary Craft and Women’s Studio Workshop as well as a recipient of the International Sculpture Center’s Outstanding Student Achievement in Contemporary Sculpture Award and an Ella Fountain Pratt Emerging Artists Grant from the Durham Arts Council. She is an Associate Professor of Art – Ceramics & A.D. Gallery Director at the University of North Carolina at Pembroke. More about Dupuis: https://www.jessicadupuis.com/.  \n  \nIsys Hennigar‘s work explores myth and narrative surrounding the body and the natural world. Referencing agricultural practice\, mythology\, and medicine\, the work considers systems of sustenance and healing\, cultural and ecological legacies of land cultivation\, and dualities of the body. In dialogue with clay’s metaphorical relationship to the body\, as well as with histories of metal adornment and objects of protection\, her work invokes real and reimagined ecological encounters that underscore transformation and hybridity as tools of renewal. Hennigar received her BFA from the University of North Carolina Chapel Hill and her MFA from the University of Georgia. Exhibitions of her work include Signature Contemporary Craft (Atlanta\, GA)\, Sow & Tailor Gallery (Los Angeles\, CA)\, The American Museum of Ceramics (Pomona\, CA)\, and the North Carolina Museum of Art (Raleigh\, NC). She is currently in residence as the 2025 Brightwork Fellow at Anchorlight in Raleigh\, NC. More about Hennigar: https://www.isyshennigar.com/. \n  \nHitomi Shibata creates ceramic works from natural clays\, using wood firing in her process\, giving them a sustainable energy and life. Shibata started learning ceramic art in Okayama\, Japan as a college student\, and after graduation moved to Shigaraki which is one of the oldest Japanese pottery towns. She lived and established her skill and knowledge as a professional potter in Shigaraki. Shibata received a scholarship by Rotary International to come to the USA to learn American ceramics in 2001. Now living in Seagrove\, North Carolina\, which is the most active pottery communities in USA\, she enjoys making pots in her studio. Shibata does wood firings with her husband\, Takuro Shibata by their Anagama plus chamber kiln that they built in 2009. More about Shibata: https://www.studiotouya.com/hitomi-shibata. 
URL:https://events.ackland.org/event/artist-conversation-radical-ceramicists-in-north-carolina827/
LOCATION:Ackland Art Museum\, 101 S. Columbia Street\, Chapel Hill\, NC\, 27514\, United States
CATEGORIES:Special Programs,Talks
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20251204T150000
DTEND;TZID=America/New_York:20251204T160000
DTSTAMP:20260512T125559
CREATED:20251201T144651Z
LAST-MODIFIED:20251201T144651Z
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SUMMARY:Semester Revue: Student Research & Responses to the Collection
DESCRIPTION:Each semester\, the Ackland Art Museum works with thousands of UNC-Chapel Hill students through courses and internships. The Semester Revue offers a glimpse into the quality and variety of the students’ research\, projects\, and performances. Come learn about the collection and see it anew through their short\, dynamic presentations. Free; no registration required. \nThe Ackland Semester Revue is part of UNC-Chapel Hill’s Campus Life Experience program. Scan the QR code at the event for CLE credit.
URL:https://events.ackland.org/event/fall2025semester-revue-student-research-responses-to-the-collection-789/
LOCATION:Ackland Art Museum\, 101 S. Columbia Street\, Chapel Hill\, NC\, 27514\, United States
CATEGORIES:Special Programs,Talks
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DTSTART;TZID=America/New_York:20260228T090000
DTEND;TZID=America/New_York:20260228T143000
DTSTAMP:20260512T125559
CREATED:20260210T152555Z
LAST-MODIFIED:20260210T152555Z
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SUMMARY:The 11th Annual Symposium of the Art Student Graduate Organization - “Anachronic Enchantment: Temporalities in Visual and Material Culture"
DESCRIPTION:The symposium will be held in-person at the University of North Carolina at Chapel Hill on Saturday\, February 28 from 9:00 AM- 2:30 PM. Presentations will be followed by a Q&A session and are open to a general audience. \nWhen something is described as anachronistic\, it is often to say that it is contradictory\, inconsistent\, illogical\, or misplaced. Essentially\, to be anachronistic is to exist outside of historical time. However\, has science not demonstrated that time is relative? Is temporality\, meaning our relationship with time\, not subject to change? Instead of anachronistic\, Alexander Nagel and Christopher Wood have coined the term anachronic to refer to art that has “witnessed time.” Art historian\, Keith Moxey\, adds that anachronicity is the ability of objects “to exceed the parameters of their chronological circumstances.” \nWith this in mind\, this symposium considers temporality as its central framework and invites interdisciplinary reflection on how time is constructed\, experienced\, and represented across humanistic study. By foregrounding temporal frameworks\, we seek to interrogate whose times are privileged\, silenced\, or contested\, and how alternative conceptions of time challenge dominant narratives. Central to this inquiry are questions that examine how artists have engaged with temporality to construct new and alternative histories; how meaning and interpretation inevitably shift across time\, requiring us to reconsider our own scholarly and curatorial practices; and how ephemeral forms of art disrupt and complicate traditional art historical methods.
URL:https://events.ackland.org/event/the-11th-annual-symposium-of-the-art-student-graduate-organization-anachronic-enchantment-temporalities-in-visual-and-material-culture-2/
LOCATION:Ackland Art Museum\, 101 S. Columbia Street\, Chapel Hill\, NC\, 27514\, United States
CATEGORIES:Special Events,Talks
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DTSTART;TZID=America/New_York:20260319T180000
DTEND;TZID=America/New_York:20260319T200000
DTSTAMP:20260512T125559
CREATED:20260216T143956Z
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SUMMARY:The Salon Salon: Floor to Ceiling Art at the Ackland
DESCRIPTION:Join Carolina Public Humanities and the Ackland Art Museum for a gathering that will foster deep thinking and conversation – a salon – through a guided viewing of Color Concentrated: A Salon-Style Show from the Robertson Collection. Color Concentrated displays paintings in the salon style\, hanging in rows that extend from eye level upward\, nearly to the ceiling of the gallery. \nWe’ll learn how the salon hanging tells the story of changing museum trends\, from the seventeenth century to the present. Featured presenters include Ackland director Shalini Le Gall\, deputy director for curatorial affairs Peter Nisbet\, head of university programs and academic projects Elizabeth Manekin\, and Nathan Marzen\, head of exhibition design and installation. \nSpace is limited; tickets are required. The $65 ticket includes admission to the program\, wine\, and hors d’oeuvres. Click here to purchase your ticket today! \n 
URL:https://events.ackland.org/event/the-salon-salon-floor-to-ceiling-art-at-the-ackland/
LOCATION:Ackland Art Museum\, 101 S. Columbia Street\, Chapel Hill\, NC\, 27514\, United States
CATEGORIES:Talks
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DTSTART;TZID=America/New_York:20260501T140000
DTEND;TZID=America/New_York:20260501T160000
DTSTAMP:20260512T125559
CREATED:20260312T173527Z
LAST-MODIFIED:20260312T173527Z
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SUMMARY:Semester Revue: Student Research & Responses to the Collection
DESCRIPTION:Each semester\, the Ackland Art Museum works with thousands of UNC-Chapel Hill students through courses and internships. The Semester Revue offers a glimpse into the quality and variety of the students’ research\, projects\, and performances. Come learn about the collection and see it anew through their short\, dynamic presentations. \nFree for all audiences; no registration required. \nThe Ackland Semester Revue is part of UNC-Chapel Hill’s Campus Life Experience program. Scan the QR code at the event for CLE credit.
URL:https://events.ackland.org/event/semester-revue-student-research-responses-to-the-collection-5126/
LOCATION:Ackland Art Museum\, 101 S. Columbia Street\, Chapel Hill\, NC\, 27514\, United States
CATEGORIES:Special Programs,Talks
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