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DTSTART;TZID=America/New_York:20220210T193000
DTEND;TZID=America/New_York:20220210T210000
DTSTAMP:20260521T203310
CREATED:20220126T160703Z
LAST-MODIFIED:20220209T025651Z
UID:10003565-1644521400-1644526800@events.ackland.org
SUMMARY:Ackland Film Forum: "The Man Who Saved the World" (1982)
DESCRIPTION:We kick off our Global Cult Cinema series with the sci-fi/martial arts/fantasy film known as Turkish Star Wars. \nThe Man Who Saved the World\nÇetin İnanç\, Turkey\, 1982\, 1h 31m \nFILM SYNOPSIS \nDünyayı Kurtaran Adam (The Man Who Saved the World) is an otherwise obscure Turkish Science Fantasy Martial Arts film from 1982 directed by Çetin İnanç and written by and starring Cüneyt Arkın\, that’s better known in certain Internet circles for being So Bad\, It’s Good. It’s more commonly known in these circles as “Turkish Star Wars“\, because it lifts much of its Stock Footage directly from Star Wars. \nTICKETS \nFree tickets available at the Varsity Theatre\, 123 E. Franklin St. \n____________________________________________________________________________________________ \nABOUT THE GLOBAL CULT CINEMA SERIES \nFrom Rocky Horror Picture Show to The Big Lebowski\, cult classics are movies that become objects of adulation for their most dedicated fans. While some cult classics are good movies by conventional standards\, others are famous precisely because the director was more interested in having a good time than winning awards. In this series\, we’ll show four global cult classics (or soon to-be classics)\, including Çetin İnanç’s 1982 science-fiction action film Dünyayı Kurtaran Adam (“The Man Who Saved the World”)\, which infamously “borrowed” special effects sequences from Star Wars and Lo Wei’s 1972 film The Big Boss\, which made Bruce Lee an international star. Tears of the Black Tiger pays homage to Thai action films and melodramas of the 1950s\, crossing that indelible line between reverence and parody. Om Shanti Om also pays tribute to a golden era of filmmaking\, only in this case it’s concerned with recreating the over-the-top dance numbers of 1970s Bollywood filmmaking. \nThe Spring 2022 Global Cult Cinema series\, co-organized by the Ackland Art Museum and the Film Studies Program in the Department of English and Comparative Literature\, is presented in connected with an installation in Ackland Upstairs\, the Museum’s second floor gallery featuring short term displays of works being used in conjunction with university classes. This semester\, visitors can find examples of posters from the Ackland’s collection on display for Research Methods in Film Studies: Histories of Moviegoing.
URL:https://events.ackland.org/event/ackland-film-forum-021022/
LOCATION:Varsity Theatre\, 123 E. Franklin Street\, Chapel Hill\, NC\, 27514\, United States
CATEGORIES:Ackland Film Forum
ATTACH;FMTTYPE=image/jpeg:https://events.ackland.org/wp-content/uploads/2022/01/Turkish-Star-Wars_web-1038x576-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220212T103000
DTEND;TZID=America/New_York:20220212T120000
DTSTAMP:20260521T203310
CREATED:20211212T202814Z
LAST-MODIFIED:20211216T182707Z
UID:10003523-1644661800-1644667200@events.ackland.org
SUMMARY:Art Adventures A.M. Session - Color Block Printing
DESCRIPTION:Join us as the Ackland resumes our popular Art Adventures class in person with instructor Allison Tierney! We will be inspired by both Joseph Sandford and Will H. Bradley\, who have pieces on view in Ackland Upstairs. \nArt Adventures sessions provide kids with a guided view of art in the Ackland’s galleries\, followed by the opportunity to create take-home treasures in an adjacent art studio using newly-learned art-making techniques. Materials are provided. \nClass sessions will be limited to 10 participants.  Masks are required in the Museum and Hanes Art Center. Art Adventures is geared towards children aged 6-9. \nIf you encounter registration issues\, please email us at acklandRSVP@unc.edu. We apologize for any inconvenience.
URL:https://events.ackland.org/event/art-adventures-a-m-session-feb/
LOCATION:Ackland Art Museum
CATEGORIES:Art Adventures,Studio Saturday
ATTACH;FMTTYPE=image/jpeg:https://events.ackland.org/wp-content/uploads/2021/12/58.1.2583.jpg
GEO:35.9125812;-79.0548584
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DTSTART;TZID=America/New_York:20220212T130000
DTEND;TZID=America/New_York:20220212T143000
DTSTAMP:20260521T203310
CREATED:20211212T203008Z
LAST-MODIFIED:20211216T182639Z
UID:10003524-1644670800-1644676200@events.ackland.org
SUMMARY:Art Adventures P.M. Session- Color Block Printing
DESCRIPTION:Join us as the Ackland resumes our popular Art Adventures class in person with instructor Allison Tierney! We will be inspired by both Joseph Sandford and Will H. Bradley\, who have pieces on view in Ackland Upstairs. \nArt Adventures sessions provide kids with a guided view of art in the Ackland’s galleries\, followed by the opportunity to create take-home treasures in an adjacent art studio using newly-learned art-making techniques. Materials are provided. \nClass sessions will be limited to 10 participants.  Masks are required in the Museum and Hanes Art Center. Art Adventures is geared towards children aged 6-9. \nIf you encounter registration issues\, please email us at acklandRSVP@unc.edu. We apologize for any inconvenience.
URL:https://events.ackland.org/event/art-adventures-p-m-session-feb/
LOCATION:Ackland Art Museum
CATEGORIES:Art Adventures,Studio Saturday
ATTACH;FMTTYPE=image/jpeg:https://events.ackland.org/wp-content/uploads/2021/12/58.1.2583.jpg
GEO:35.9125812;-79.0548584
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220217T193000
DTEND;TZID=America/New_York:20220217T213000
DTSTAMP:20260521T203310
CREATED:20220126T160822Z
LAST-MODIFIED:20220126T160822Z
UID:10003566-1645126200-1645133400@events.ackland.org
SUMMARY:Ackland Film Forum: "Tears of the Black Tiger" (2000)
DESCRIPTION:Our Global Cult Cinema series continues with this Thai cult film blending westerns and romance. \nTears of the Black Tiger\nWisit Sasanatieng\, Thailand\, 2000\, 1h 50m \nIntroduced by Martin Johnson\, UNC Dept. of English & Comparative Literature \nFILM SYNOPSIS \n“In the countryside of Thailand\, a gang of outlaws makes the region unsafe. Among them is the handsome hero Dum\, who became unwillingly involved in the bandit life. Dum made a promise to his upper-crust lover Rumpoey: despite the class difference\, they will get married. When the moment of reunion arrives\, Dum gets involved in a fire fight and cannot possibly reach Rumpoey in time. She is desperate: her father has married her off to a policeman. The taciturn Dum\, called the ‘Black Tiger’ by his co-conspirators\, does everything in his power to reach her\, but fate gets in the way: his gang leader suspects him of treachery and his blood brother turns into his greatest enemy. Will the two lovers ever meet up? This urgent question propels the melodrama forward\, supported by exciting music\, spectacular shootouts and heroic duels.” —Anonymous (IMDB) \nTICKETS \nFree tickets available at the Varsity Theatre\, 123 E. Franklin St. \n____________________________________________________________________________________________ \nABOUT THE GLOBAL CULT CINEMA SERIES \nFrom Rocky Horror Picture Show to The Big Lebowski\, cult classics are movies that become objects of adulation for their most dedicated fans. While some cult classics are good movies by conventional standards\, others are famous precisely because the director was more interested in having a good time than winning awards. In this series\, we’ll show four global cult classics (or soon to-be classics)\, including Çetin İnanç’s 1982 science-fiction action film Dünyayı Kurtaran Adam (“The Man Who Saved the World”)\, which infamously “borrowed” special effects sequences from Star Wars and Lo Wei’s 1972 film The Big Boss\, which made Bruce Lee an international star. Tears of the Black Tiger pays homage to Thai action films and melodramas of the 1950s\, crossing that indelible line between reverence and parody. Om Shanti Om also pays tribute to a golden era of filmmaking\, only in this case it’s concerned with recreating the over-the-top dance numbers of 1970s Bollywood filmmaking. \nThe Spring 2022 Global Cult Cinema series\, co-organized by the Ackland Art Museum and the Film Studies Program in the Department of English and Comparative Literature\, is presented in connected with an installation in Ackland Upstairs\, the Museum’s second floor gallery featuring short term displays of works being used in conjunction with university classes. This semester\, visitors can find examples of posters from the Ackland’s collection on display for Research Methods in Film Studies: Histories of Moviegoing.
URL:https://events.ackland.org/event/ackland-film-forum-021722/
LOCATION:Varsity Theatre\, 123 E. Franklin Street\, Chapel Hill\, NC\, 27514\, United States
CATEGORIES:Ackland Film Forum
ATTACH;FMTTYPE=image/jpeg:https://events.ackland.org/wp-content/uploads/2022/01/tearsblacktiger.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220224T193000
DTEND;TZID=America/New_York:20220224T211500
DTSTAMP:20260521T203310
CREATED:20220126T160915Z
LAST-MODIFIED:20220126T160915Z
UID:10003567-1645731000-1645737300@events.ackland.org
SUMMARY:Ackland Film Forum: "The Big Boss" (1971)
DESCRIPTION:Join us at the next Global Cult Cinema screening to see the kung-fu classic that made Bruce Lee famous. \nThe Big Boss\nWei Lo\, Hong Kong\, 1971\, 1h 40m \nIntroduced by Martin Johnson\, UNC-Chapel Hill \nFILM SYNOPSIS \n\nCheng\, played by Bruce Lee\, is a city boy who moves with his cousins to work at a ice factory. He does this with a family promise never to get involved in any fight. However\, when members of his family begin disappearing after meeting the management of the factory\, the resulting mystery and pressures forces him to break that vow and take on the villainy of the Big Boss. —IMDB\n\n\nTICKETS \nFree tickets available at the Varsity Theatre\, 123 E. Franklin St. \n____________________________________________________________________________________________ \nABOUT THE GLOBAL CULT CINEMA SERIES \nFrom Rocky Horror Picture Show to The Big Lebowski\, cult classics are movies that become objects of adulation for their most dedicated fans. While some cult classics are good movies by conventional standards\, others are famous precisely because the director was more interested in having a good time than winning awards. In this series\, we’ll show four global cult classics (or soon to-be classics)\, including Çetin İnanç’s 1982 science-fiction action film Dünyayı Kurtaran Adam (“The Man Who Saved the World”)\, which infamously “borrowed” special effects sequences from Star Wars and Lo Wei’s 1972 film The Big Boss\, which made Bruce Lee an international star. Tears of the Black Tiger pays homage to Thai action films and melodramas of the 1950s\, crossing that indelible line between reverence and parody. Om Shanti Om also pays tribute to a golden era of filmmaking\, only in this case it’s concerned with recreating the over-the-top dance numbers of 1970s Bollywood filmmaking. \nThe Spring 2022 Global Cult Cinema series\, co-organized by the Ackland Art Museum and the Film Studies Program in the Department of English and Comparative Literature\, is presented in connected with an installation in Ackland Upstairs\, the Museum’s second floor gallery featuring short term displays of works being used in conjunction with university classes. This semester\, visitors can find examples of posters from the Ackland’s collection on display for Research Methods in Film Studies: Histories of Moviegoing.
URL:https://events.ackland.org/event/ackland-film-forum-022422/
LOCATION:Varsity Theatre\, 123 E. Franklin Street\, Chapel Hill\, NC\, 27514\, United States
CATEGORIES:Ackland Film Forum
ATTACH;FMTTYPE=image/png:https://events.ackland.org/wp-content/uploads/2022/01/Screenshot-2022-01-13-at-10-49-13-The-Big-Boss-1971.png
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